Raising Height Of Dining Room Chair

historiography of Performance Data and some images of his predecessors

(photo taken from website. Elvira Santamaria).
" The artist of the action built in the present realities of substance to their very existence, enfocádose in the areas of most interest in life. It destabilizes itself to recover from the standardization of the forms of breathing under heaven. "(Elvira Santamaria, Mexico)
(Elvira Santamaria, Mexico)

Some Performance and Theatricality readings published by the National Research Center Theatre Usigli Rodolfo, Mexico City, and various internet articles.
Performance Art, term denoting a complex and heterogeneous array of live art, performance art: it arises from a crisis of transience among various disciplines of art. Much can talk about performance art, but while there is still no theory is taken as the last word, so I'll start this essay by quoting everything that is not a performance, to bring through the mirror and ... otherness between theatricality and performativity addressed which stresses the rupture lies in: INTENT. Let
theater: the theater is half if not an end in itself, but the performance is different from being a non-theater environment. The theater always keeps a referential function associated with the representation of characters, actions, relationships and situations, the performance: this is the execution of successive actions.
From the 50's the discussion about the boundaries between theater and performance to dim ... Theatre as an end or as a cultural space where you can match the physical space drama, dance, musical entertainment and so on .... while the performance manifested as a kind of practice that while there might be cultural, artistic, eduactiva, politics or whatever,, but was held in very different physical spaces for the theater: the gallery, museum, hall, street place clandestine, etc. address ...... even then bring the performance up in the theater .... causing major subsequent theoretical confusion for critics.
LIMINAL LINE BETWEEN PERFORMANCE AND THEATRICALITY :
lot would have to delve between theatrical trends, which is not our goal, but it is important to distinguish that in the sixties, the transformation of the stage came from within, with the INTENTION surgimieto ANTI-ENTERTAINMENT, (actor-creators) and as the indeterminate, process of musicians and visual artists provinientes of the great "isms" of art ... At this crucial stage desteatralizador process was experienced by the scenic artists agreed and food with a theatrical approach to the part of visual artists and musical ... Dada militants. What happens after the 50's is that several developers tried to minimize vangurdia the referential function of theater (in the case of Catalan Joan Brossa, which was considered as an example of post theater, ... in the formulation of a particular theater ... proposals emerged Tadeuz CANTOR designer painter, and the actions of the musician John Cage nortemaericano, 1952. These intentions mentioned above .. .. aimed to "redefine" the cultural concept theater, emphasizing its performative function.

John Cage.

John Cage WFMU's Beware of the Blog: John Cage on a TV Game Show in 1960 (video) Performs using Water Pitcher, Iron Pipe, Goose Call and a slew of musical Other implements in 1960 on the game show I've Got a Secret: video at ...blog.wfmu.org/freeform/2007/04/john_cage_on_a_.html - 54k - Cached - Similar page

fusion, selective, and the breakdown ... due to multiple resistance of the theatrical institution muto the term itself: a performance art but also redefined to emphasize the difference in the theater it was linked with a referential representational playwright ... actors dramatic space etc ... and the performative: as a sequence of actions where the actor matches the function of individual character and affects the real timepo of his life, and found the viewer in space.
The coincidence of the theatrical and the performative comes in the 70's with the emergence of the Living Theatre, in the panic stage of Jodorowsky, and the collaboration of postmodern dance.

All images belong to the Living Theater

Living Theatre:
Founded in 1947 as an imaginative alternative to the commercial theater by Judith Malina, The Germ-born student of Erwin Piscator, and Julian Beck, an abstract expressionist painter of the New York School, The Living Theatre has staged Performed Nearly a hundred productions in eight languages \u200b\u200bin 28 Countries on five continents - a unique body of work has Influenced That theater the world over.

Within the performance incorporates the need for ritual ... and visual artists inroads SPECIFIC MEASURES: as Joseph Beuys, Yoko Ono, Chris Burden, and Bruce New man.
The ritual, the play of the absurd in art action in the visual arts was paralleled by the introduction of the performative in the avant-garde theater.
And here is where the avant-garde theater artists are beginning to take possession of alternative spaces;: as the street, basement, garage and industrial building, and subsequently performance artists are both areas as: theater, gallery or museum. Reverses the order: CONFUSION CREATED theoretical purists.

Yoko Ono

"But at one point that many artists TRASNSITAN FREE VIDEO OF THE DANCE, THE PAINTING TO MUSIC THEATRE ARTS ACTION, THERE IS NO LIMIT TO TALK BETWEEN THE ARTS " Jose Sanchez, Ph.D. in philosophy from the College of Fine Arts of Cuenca Spain ... has written: THEATRICALITY and performativity in the contemporary scene SPANISH: Isadora Duncan and books ..

I think the importance lies in the pertinecia that both or multiple disciplines can steppes and I think it should coexsistir .... and within this transience comes the term "discipline".
The twentieth century was a century of breaks and breaks for art: the proposals of Marcel Duchamp and the motion given ... meant a great springboard to conceive of art as a process of reflection and self-analysis. REPLACING (PAINT-PAINTING), POR (PAINT-IDEA). SURGE He postulated that: A MENTAL ACTIVITY OF ARTISTS IN THE PROCESS OF CREATION is of greater significance than the object created. SUBSECUENTEMENE
.. JACKSON POLLOCK anticipates the incorporation of the body within the play, with the canvas placed on the floor moving rhythmically. KNOWN AS: Action Painting

Pollock

Elements in a Performance rating, if there are others that are not included please appreciate them those added to the list, if any of those with whom they disagree it would be interesting to know.

1.THE BODY AS A VEHICLE FOR COMMUNICATION AND SUPPORT RITE
2.TRASNGRESIÓN
3.THE
REAL 4.TIEMPO
5.EXPERIENCIACIÓN/FENOMENOLÓGICA
6.LENGUAJES CONVERGENT
7.LABORATORIO PHYSICAL AND MENTAL EXAMINATION.

9.SIMBOLISMOS 8.RECEPCIÓN AND PERCEPTION. ON THE OTHER 10.INCIDIR

13.EXPONERSE YOURSELF WITHOUT MASKS
12.PRÁXIS
13.CONSCIENCIA
14.INTENCIONALIDAD
15.CONCEPTO
16.
17.
18 ....

BIBLIOGRAPHY:
ACTION PERFORMANCE AND ARTS IN LATIN AMERICA , CITRU,
Ex Teresa, Ediciones Sin Nombre, 2005, Mexico City
PERFORMANCE AND THEATRICALITY , Citru.Doc, National
InvestigaciónTeatral "Rodolfo Usigli, 2005, Mexico City
WHERE IS ANA MENDIETA ?, Jake Locker, Duke University Press, Durham
and London, 1999 USA

"Troops Out2 Living
by Teather